20 May 2018
I feel like I'm getting closer to finding out what this guy is all about. I have been improving his finger movements and gave him toes and shortened his feet even more. Plus the glasses. At this point he's is ready to go - but where?
11 May 2018
The drawing program I love is Sketchbook by Autodesk. The pens look like pens, the pencils, pencils and so on. The interface is not conventional but not complicated or hard to get used to either. It has animation component I have never used but might someday.
While I wish it had dodge and burn tools, even though that would break it's "drawing tools only" rule that is not a deal breaker. What was a deal break was when Autodesk got all Adobe on us and decided to make it subscription only. I bought the latest stand alone version and started looking for other tools to use.
Now I won't have to look anymore. The applications now free, only requiring you to sign in to Autodesk's site once, download the software and that's it.
08 May 2018
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Click to enlarge
Speaking of my stable of characters - I've been putting them in the header here and on my home/portfolio page. Maybe someone out there will find them interesting enough to get me some much needed work!
07 May 2018
I made a little test film of this guy doing the Flashdance scene where the water drops on her head a few years back. I had lots of issues with the final rigging and as I animated, the rig got more and more out of whack.
In this version, he has the same head slightly modified and feet, but long pants, better shirt and arms with 5 fingered hands. I used the rig I have been using for Charles Webster Billingsworth the 3rd in the Dramatic Reading series so it's stable and flexible. This new version has a lot more controls and many more face morphs so he should be more expressive. His cheek fur uses the jiggle deformer for extra motion and his tail has a dynamic joint chain for the same reason.I used the Nitro4D eye plugins to make the eyes. The older ones were nice, I liked them but they didn't work as well and gave him a meaner look than I wanted.
Not sure what to do with him now, I want to do more varied cartoon work like the Dramatic Reading series but I'm sort of out of ideas right now on exactly what I want to accomplish.
26 April 2018
Another one! This is based on the theme to Godzilla VS the Smog Monster because - why not? Oddly the message, such as it is, is still relevant today... more so even. Plus it's totally weird, 60's and silly.
20 April 2018
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One style missing form my current project is what I think of as "pure" design", meaning dependent solely on design elements like typography, colour blocks and simple basic shapes. I forgot I had a hardcover of 1984 and it seems a perfect fit for this sort of design. I want to get away forth idea of staring eyes and raised fists and go for something much more basic and, I hope, eye-catching.
16 April 2018
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Mike Luce did a test over at his blog with Super vectorizer 2 which I already but only used in a limited way. So I took a really old, super detailed drawing to see how it did turning bitmapped to vector.
As would be expected, the dot and line work looks pretty damn good. It did take some playing around to get there though. The doorway greyscale was done with grey chalk in original and the tones are a little too subtle to be vectorized, but still, not a bad look.
Affinity Designer does not vectorize bitmaps like Illustrator does (barely) so if you need an external program for that Super vectorizer is a good choice and very well priced.